K/1
"Yeats and the Abbey Theatre"

• 6 page partial typescript. Apparently a rough draft of material incorporated into My Father's Son

  K/2
  "Yeats" (circa 1963)

• 9 page typescript of a Thomas Davis lecture, broadcast on Irish Radio

  K/3
  "Work In Progress"

• 10 page typescript of a chapter from The Lonely Voice (1963)

  K/4
  "Joyce, Colum, Johnson, Meredith" ('Theatre Arts Magazine' October, 1958)

• 3 page typescript, together with a handwritten acceptance of the assignment from the magazine; a review of "Ulysses in Nighttown"

  K/5
  "A Skite"

• 11 page partial typescript, heavily emended in holograph; a very early draft of an unpublished story

  K/6
  "A Pint and a Prayer"

• 2 page typescript, with carbon of same; a review of An Irish Navy by Donall Mac Amlaigh

  K/7
  "Celt and Saxon" (circa 1940s)

• 8 page typescript; a very early version of an autobiographical piece, later developed into "I Know Where I'm Going," a portion of An Only Child

  K/8
  "Two Worlds"

• 9 page typescript; version of the story of "Maria" told in An Only Child
• 3 page typescript titled "Rebels" another version of the same story, incomplete
• 4 page typescript titled "Guilt," another version of the same story from a different perspective

  K/9
  "Horses of the Sun"

• 7 page typescript, heavily emended in holograph, together with a heavily emended, incomplete carbon of same; a very early, critical attempt to come to terms with the work of Daniel Corkery, a major influence on Frank O'Connor

  K/10
  "A Mysterious Case"

• 6 page typescript, extensively emended in holograph 2 page typescript, extensively emended in holograph, a late, unpublished story, also referred to as "The Fatted Calf," and "A Gentleman's Agreement."

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